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Oxfordshire’ snipers: multimedia marks are best served cold

09 gennaio 2019 -
Oxfordshire’ snipers: multimedia marks are best served cold

di Federica Pezza

 

Once upon a time there was “American Sniper”. And it was a movie, quite good indeed.

This time our sniper is European and, surprisingly enough, he comes from the Oxfordshire – maybe, the poshest side ever of the UK. Almost a reverse “Pretty Woman”, isn’t it?

Of course it is. And in fact, this story is not real but it is about a videogame. And violence. And trademarks – as pretty much always lately.

For the sake of clarity, our story started more than one year ago, in October 2017, when a young chap, Jason Kingsley, ex work-for-hire developer and current CEO of “Rebellion”- a fiercely independent British videogame studio – decided to file, together with his brother Christopher, a trademark application before the EUIPO for a multimedia mark representing the “Sniper Elite 4 kill cam mechanic”(https://youtu.be/WvGurDybTm4)[1].The application, which includes a 25 second video clip, was filed for Class 9 (software), 28 (games) and 41 (among the others, entertainment and education) of the International Nice Classification.

Multimedia marks: a definition

Now, the thing is quite singular in a number of ways. First of all, due to the kind of trademark applied for. This is, in fact, a “multimedia mark” [2], i.e. one of those trademarks recently introduced under the new Trademark Regulation, which according to Article 3(3)(i) EUTMR “consists in, or extends to, the combination of images and sound”. In this sense, due to the extreme novelty of the category, the same notion of registrable subject matter is yet to be clarified. Similar issues arise with regard to what, in this context, is to be meant by “distinctiveness” [3].

Public policy and morality: drawing the line

Secondly, indeed, the fact that the multimedia trademark consists in a “kill cam mechanism” is, at least, questionable. And in fact, to date there are very few [4] examples of successful applications for multimedia marks and they include, among the others, a lovely flagpole saying “hi” to its imaginary public and a– not that lovely- moving logo of the University of Catalunya. Differently, for the ones of you who are not as much geeks as they’d like to be, a “kill cam mechanic”, as defined by the Urban Dictionary, is “a second person view of your death”.

Indeed, this tool shows to the general public which goals the wonderful world of technology is now able to achieve. And in fact, as Jason Kingsley proudly claims, Rebellion is a privately owned company that can “do what it wants to do”.

Well, this is all very good to say and great to hear. Still, under trademark law “public policy and morality” does represent a limit to trademark registrations. And in fact – guess what – the application for the “kill cam mechanic” is currently still pending before the EUIPO.

Namely, Article 7(1)(f) EUTMR excludes from registration trademarks that are contrary to public policy or accepted principles of morality [5]. In this regard, as made clear by the EUIPO, a balance has to be found. And in fact, the underlying policy of the ground assumes the difficult role of promoting commercial solutions which are, in the same time, persuasive but not outrageous. In other words, if on one side the EUIPO shall not assist traders wishing to further their business by using trademarks that offend certain basic values of civilized society, on the other, it will not base its analysis on the perception of that “small minority of exceptionally puritanical citizens” [6].

Moving back to the case at stake, according to Tim Jones, Rebellion’s head of creative, Sniper Elite kill cam is the result of an evolution. Namely, as he says, “the x-ray kill cam [was introduced]to track it through the body and see how it breaks bones, punch holes through skulls, and all the rest of it”.

Therefore, the question arises. Would the “kill cam” application be regarded as outrageous?

Or would it simply be in line with the generally accepted principles of morality (as consumers are used to it)? And, if so, would this imply the mark is not distinctive enough?

In this regard, for what it’s worth, the same Donald Trump included in his “violence in video games” supercut the “Sniper Elite 4” videogame, posting the video on the White House YouTube channel.

Right now, we are definitely looking forward to the Examiner decision on the matter. Meanwhile, as a recap of the issues potentially involved, we can just quote what Rebellion’s head of creative declared in an interview: “Ultimately what we’re doing is entertaining. I think there’s a fine line between horror, shock and humour. But it’s up to the audience to decide why it’s funny. I wouldn’t deny that it is. Sometimes it’s just shocking”.

 

Redatto il 7 gennaio 2019

Articolo pubblicato in: Diritto comunitario, Diritto comparato


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